Recently I have become more curious about the psychology of colors. I find it interesting how the colors you gravitate towards can say something about your unique makeup as an individual. The colors I like to bring into my life are rich greens, deep indigo-purples, lavenders, pale pinks, and shimmering golds and silvers.
Looking at other artist’s work, I can see color preferences reflected in their visions, as well. Some artists have a turquoise-blue tone to their work, others a gray tone. Some paint in sepia, others, pure shades of black and white. Some render their work in brilliant technicolor, and some out of shiny substances like bronze or copper. Each artist has a unique color palette that becomes evident through the mediums they choose to work with, and the colors (or lack of colors) that they include in the spectrum of their creation.
Below are some basic physiological meanings of colors, first in their most positive lights, and also symbolic negative meanings to take into account.
Red: ready to take action, passionate; could mean angry
Orange: optimism, social communication; could mean superficial
Yellow: cheerful, optimistic, intellectual; could mean cowardice and criticism
Green: balance, growth, self reliance; could also mean envy
Blue: trust, peace, loyalty, integrity; could also mean cold and unforgiving
Indigo: idealistic, intuitive; could also mean ritual
Purple: imaginative, creative, individual; could also mean impractical
Turquoise: clarity, clear communication; could also mean idealistic
Pink: nurturing, unconditional love; could also mean silly and girlish
Brown: serious, security, protection; could also mean dull
Gray: the compromise of white and black, a color between two non-colors
Silver: feminine, changing, fluid, sensitive, mysterious, related to the moon; could also be seen as unstable
Gold: success, triumph, and splendor; could also be seen as showy
White: purity, innocence, perfection; could mean blank
Black: mysterious, hidden, secret; could mean evil
Symbolism can be used in color intentionally, but often it is the choices we make unintentionally in our artwork that are the most interesting. Now that I’ve learned about this I just may take a look at some of my past work and see if I can decipher what I was really thinking.
Screen still from “The Rending”, short film by Jessica Libor, 2014
Author: Jessica Libor, 2014, ww.jessicalibor.com.